QUEER FILM SERIES
70s Director Spotlight
Please be considerate of the audience and subject-mater, HUME is a safe-space and anyone who acts otherwise will be asked to leave.
Bring your friends!! SRSLY, having trouble getting LGBTQ people to show up! Makes me sad, but you do you babes.
BYOB and BYOP (Bring your own pillow for comfort!!)
A reminder that from here on out, hopefully, we’ll be able to focus on 4 movies each month centered within a specific time period/subject matter/theme/director/etc. Which also means more opportunities to catch the queer films considering everyone’s busy schedules!
This month we will be exploring two important queer directors and their films. First two of John Waters early films, and then Paul Morrissey and two of his Andy Warhol produced films.
“Female Trouble” (1974) A spoiled schoolgirl runs away from home, gets pregnant while hitch-hiking, and ends up as a fashion model for a pair of beauticians who like to photograph women committing crimes.
“Desperate Living” (1977) A neurotic society woman murders her husband with the help of her maid and, on the lam, escape to Mortville, a homeless community ruled over by a fascist queen.
For those of you who missed the first one, here’s my mission statement:
My goals for this series is to educate and spread awareness of films not normally sought out by the straight-cis world or even seen by LGBTQ folks who aren’t cinephiles themselves. Through-out the series, I hope for the audience to gain a greater understanding about the outside forces that suppressed our community for so long (and who continue to do so) and how despite everything, LGBTQ characters continued to appear and eventually break-free of the oppressive hollywood/moralist shackles.
Although for many decades, LGBTQ characters were not shown under a flattering lens and were often sad, suicidal or muderous people, I will do my best to showcase the rare instances of characters being able to take some positive ownership of their sexualities in addition to the darker more “problematic” films.
Also, due to how western society works as well as the distribution of wealth and technology, the majority of the films, at least through the 1970s will also mostly be cis, white and male, but rest assured that there will be more diverse films as the series comes along. I hope to have a few “specials” inbetween the chronological order we will be watching the films in to break things up; including documentaries on LGBT historical/popular figures and films that are Queer-Coded starring LGBTQ icons.
I’m doing my best to read-up as much LGBTQ film theory/history as I can and will be happy to moderate discussion after the films have been shown!