Feb 2nd 2018

In Good Company

@ Chicago Cultural Center

78 E Washington St, Chicago, IL 60602

Opening Friday, February 2nd, from 2PM - 4PM

On view through Sunday, April 7th

Hector Jones — David Krueger — Ben Marcus — Gaby Pasman — Susan Pasowicz — Samantha Presser — Hubert Posey — Linda Ruzga — Alex Scott — Allison Wade — Jean Wilson

In Good Company is a group exhibition presented by Arts of Life. This exhibition seeks to highlight the mutually beneficial relationships and connections that develop within the Arts of Life studios. In Good Company features seven Arts of Life studio artists and four community volunteers, and includes work that has been developed both independently and collaboratively. The ongoing collaborations between studio artists and community volunteers is fundamental to the success of both individual practices and the overall health of the organization. This exhibition showcases the way in which these partnerships develop and thrive around a person-centric model.

Public Programming
Saturday, February 2nd / 2:00 — 4:00 pm
Opening Reception

Friday, February 15th / 12:00 — 2:00 pm
Van Go Go Live – Jam out to the North Shore band Van Go Go live in the Learning Lab as they play their favorite hits and mingle with guests.

Thursday, February 21st / 5:30 – 6:30 pm
Artist Talk – Join select studio artist and collaborators in the gallery for a causal artist talk explaining their process of creating the work featured in the exhibition, moderated by Art Director Vincent Uribe.

Saturday, March 23rd / 1:00-3:00 pm
Artist Workshop – Get creative with a hands-on demonstration and workshop in the Learning Lab building a collaborative project with others.

This exhibition is coinciding with Furtive a photography-based exhibition that explores the complexity of memory Curated by Filter Photo. And Forgotten Forms a collaborative exhibition between members of the Chicago Cultural Alliance, The National Museum of Puerto Rican Arts & Culture and Ukrainian Institute of Modern Art.

This exhibition is presented through DCASE’s ArtistSpace in-kind grant program and supported in part by an award from the National Endowment for the Arts

Official Website

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