Purchase Tickets Here ($10 – $30)
Using disability aesthetics, aerial and contemporary dance, and the visual symbolism of barbed wire, Wired reveals the complex relationship between separation and interdependence.
Wired honors histories of race, gender, and disability in America through an exploration of barbed wire. At times, the performance includes depictions of violence, as well as disability-based and racial injustice.
This program includes additional accessibility considerations.
To purchase discounted group tickets or for more information, call the Box Office at 312-397-4010.
Live Stream: Kinetic Light, Wired
More about Wired
Wired is an immense and intimate experience that traces the fine line between “us” and “them” through aerial and contemporary dance and the metaphoric use of barbed wire. The dancers of Wired spin and soar together in this meditation in sound, light, and movement on the gendered, racial, and disability stories of barbed wire in the United States, showing how this material shapes common understandings of who belongs. Barbed wire is designed as a material for containment. It is used, time and again, to limit individual and community movements and delineate boundaries as large as a nation state and as small as a personal fence. In Wired, this fraught material comes to highlight not only danger and contradiction, but also beauty and interconnection.
To create Wired, the artists of Kinetic Light—Alice Sheppard, Laurel Lawson, Jerron Herman, and Michael Maag—and their collaborators—composers Ailís Ní Ríain and LeahAnn Mitchell and scenic designer Josephine Shokrian—defy both gravity and assumptions about what dance can be. The artists of Kinetic Light see interdependence as a political position as well as an approach to making dance from a disability aesthetic: in which disability is a powerful creative and cultural force, and the many ways of accessing the performance are the art itself.
For a list of all Wired collaborators and funders, visit kineticlight.org/wired.
About the Artists
Kinetic Light is an internationally recognized disability arts ensemble featuring Alice Sheppard, Jerron Herman, Laurel Lawson, and Michael Maag. Working in the disciplines of art, technology, design, and dance, Kinetic Light creates, performs, and teaches at the nexus of access, queerness, disability, dance, and race. In the company’s work, intersectional disability is an aesthetic, a culture, and an essential element of artistry. Access is integral to the company’s work and is part of the art itself.