Featuring artists Yana Bystrova and Paula Henderson
Opening Reception: February 21st, 6-9pm
Yana Bystrova and Paula Henderson present two varying pathways for approaching abstraction in painting. Bystrova seeks answers to larger philosophical questions about how cultural context and perceptions of reality shape our understanding of the world we live in. As a Ukrainian artist living in Paris for almost three decades, she is keenly aware of the impact of the surrounding environment and, to that end, offers a ‘sampling’ – of landscapes, nature, organic elements using the traditional practice of en plein-airor painting outdoors. Their immediate, fresh, less calculated expression could be said to both embrace the phenomenon of ambiguity, and offer a mechanism for overcoming it, by focusing on the painting’s formal elements.
Henderson concentrates on social constructs and traditions of representation. Her series Groundwork(s)operates at the intersection of formal abstraction and social engagement, by developing patterns from the soles of shoes, encountered while walking. Found universally, on the sidewalk, imprinted into the earth, for example, their temporary existence is a reminder of change through space and time, if not hieroglyphics of our collective history. Additional works puzzle the social impact of representations of women’s bodies in commercial media. As personal narratives and identities are invited to be shaped by the promotion of desire and allure, how much do they truly distract from a truthful representation of the self and, how much do we invest in our own objectification?
More information here: https://uima-chicago.org/the-external-eye
Image: Yana Bystrova, Rubic’s Cube, 2018, acrylic on canvas