Experimental Sound Studio presents a special concert featuring performances by JASMINE GUFFOND and JON MUELLER at the ethereal May Chapel in Rosehill Cemetery.
Jasmine Guffond is focused on electronic composition across music & art contexts. Working at the interface of social, political and technical infrastructures her practice spans live performance, recording, sound installation and custom made browser plug-in. Through the sonification of data she addresses the potential of sound to engage with contemporary political questions. Interested in providing an audible presence for phenomena that lies beyond human perception, via the sonification of facial recognition algorithms, global networks, or internet tracking cookies she questions what it means for our personal habits to be traceable, and for our identities, choices and personalities to be reduced to streams of data. Her music draws upon influences from experimental electronic, drone, techno and avant-garde. Working with abstract sound as much as traditional musical forms she translates data into deeply engaging compositions. She has exhibited internationally including Akademie der Künste (DE), Deutsche Oper (DE) and the Museum of Contemporary Art (AU) and performed live at music and electronic art festivals. She has released two solo albums with the Sonic Pieces label to critical acclaim – Yellow Bell (2015) and Traced (2017), and Degradation Loops (2018) with Karlrecords.
Renowned percussionist and drummer Jon Mueller is celebrated for his uncommon technique, rigor and virtuosity.
Mueller’s aim has been to move drums, percussion and rhythm from its anticipated backbeat to a central musical focus, something more intuitive and natural than usually imagined. Audiences throughout the United States, Canada, Europe, Japan, and the United Kingdom have experienced this idiosyncratic point of view as, paradoxically, both ‘cathartic’ and ‘meditative’. Notable solo performances have taken place at the Guggenheim Museum, New Museum, Musée des Beaux-Arts de Montréal, Alverno Presents, SXSW, Big Ears Festival, Hopscotch Fest and Witching Hour Festival.
From 2013-15, Mueller created and directed the multi-disciplinary project Death Blues. The project issued four critically acclaimed recordings. Rolling Stone cited non-fiction as one of the ‘20 Best Avant Albums of 2014’. Ensemble, created with multi-instrumentalist William Ryan Fritch, was featured on NPR’s ‘First Listen’.
Outside of his solo work, Mueller has performed and recorded with Mind Over Mirrors, was a founding member of the bands Volcano Choir, Collections of Colonies of Bees and Pele, and has worked in depth with artists Dawn Springer, Chris Hefner, Jason Kahn, Asmus Tietchens, Z’EV, Andrew McKenzie, Rhys Chatham, Jarboe, James Plotkin, Duane Pitre, and Raymond Dijkstra.
His solo work has been released by Table of the Elements, Type Recordings, Important Records, Taiga Records, SIGE Records and others.