Come to the closing conversation for Meg Duguid’s exhibition, “Produced by an aftermath”. Duguid will be in conversation with Melissa Potter to discuss performance, craft, and process.
About the Exhibition:
“Produced by an aftermath” is a video installation that utilizes the shape of Tiger Strikes Asteroid Chicago’s window to generate a view of an aftermath. This work will be used as part of the Tramp Project.
The Tramp Project is a performance for film project adapting on James Agee’s 1947 script, The Tramp’s New World, originally written for Charlie Chaplin’s Tramp character. Throughout the Tramp Project, Duguid is generating a set that is a platform for a series of performances. The result of those performances will be a fully edited feature and cinema experience, a series of objects and sets, and a series of production stills, all of which can be interchanged in various exhibitions and screenings that continue to loop from performance to documentation and back to performance again. In essence, the performance is the shooting of the film, the film is the documentation of the performance that is screened to an audience while an experimental band plays a live score, the live score is then edited into the film, which is then rescreened to a new audience….
About the Artists:
Meg Duguid believes that documentation is paramount to her art making and is invested in the ways that documentation and art can be integrated in a single practice. She received her BFA from the School of the Art Institute of Chicago and her MFA from Bard College. She has performed and exhibited at the Museum of Contemporary Art Chicago, 6018 NORTH, Slow Gallery, the Mission, Terrain, Roman Susan, the Chicago Cultural Center, and Defibrillator Performance Art Space in Chicago, as well as the DUMBO Arts Festival in Brooklyn, 667 Shotwell in San Francisco, and the Zona Maco Art Fair in Mexico City. Duguid has screened work at Synthetic Zero in New York, Spiderbug in Chicago, and the Last Supper Festival in Brooklyn. From 2009 to 2011 she ran Clutch Gallery, a 25-square-inch white cube located in the heart of her purse; since then, she lends her purse to others to curate and carry. Duguid lives and works in Chicago with her husband, her son, and two cats.
Melissa Hilliard Potter is a feminist interdisciplinary artist, writer, and curator whose work has been exhibited in numerous venues including White Columns, Bronx Museum of the Arts, and Museum of Contemporary Art Chicago, to name a few. Her films have been screened at international film festivals, such as the Cinneffable and the Reeling International LGBT Film Festival. Potter has been the recipient of three Fulbright Scholar grants, which enabled her to build two papermaking studios at university art departments in Serbia and Bosnia & Hercegovina. As a curator, Potter’s exhibitions include “Social Paper: Hand Papermaking in the Context of Socially Engaged Art” with Jessica Cochran and “Revolution at Point Zero: Feminist Social Practice” with Neysa Page Lieberman. A prolific writer, her critical essays have been printed in BOMB, Art Papers, Flash Art, Metropolis M, Hand Papermaking, and AfterImage among others. Potter is an Associate Professor at Columbia College Chicago and collaborates with artists in the medium of hand papermaking.