Opening Thursday, April 11th, from 6PM - 8PM
French Guiana-based new media artist and energy worker Tabita Rezaire navigates power structures on and offline to pursue decolonial healing. Through performance, 3D animation, and screen interfaces, her work addresses the ongoing effects of colonialism and decenters occidental authority. She presents a trio of videos that reimagine technology, spirituality, and the erotic. The striking Sugar Walls Teardom (2016) considers the contribution of Black womxns’ wombs to the advancement of modern medical science and technology. Deep Down Tidal (2017) investigates the overlapping routes of undersea optic cables and colonial geography. Premium Connect (2017) finds connections between the organic, technological, and spiritual worlds through the exploration of African divination systems, the fungi underworld, ancestor communications, and quantum physics.
2016–17, Tabita Rezaire, South Africa, HD digital, ca 60 minutes followed by discussion
Tabita Rezaire in person
Tabita Rezaire’s cross-dimensional practice envisions network sciences—organic, electronic and spiritual—as healing technologies. Inspired by quantum and cosmic mechanics, Rezaire’s work is rooted in time-spaces where technology and spirituality intersect as fertile ground to nourish visions for connection and emancipation. She holds a Bachelor in Economics and a Master of Research in Moving Image from Central Saint Martins College (London). Rezaire is a founding member of NTU, half of the duo Malaxa, and mother of the energy house SENEB. Rezaire has shown her work internationally, including at the Museum of Modern Art, New York; the New Museum, New York; Gropius Bau, Berlin; Museum of Contemporary Art, Chicago; Institute of Contemporary Arts, London; National Gallery Denmark, Copenhagen; Tate Modern, London; Musée d’Art Moderne de la Ville de Paris; Museum of Contemporary African Diasporan Arts, New York; The Broad, Los Angeles; as well as the Guangzhou Triennial; Athens Biennale; Kochi-Muziris Biennale; Performa, New York; Karachi Biennale; and Berlin Biennale.