Nov 2nd 2018

Where the Future Came From

@ Glass Curtain Gallery

1104 S Wabash Ave, 1st Floor, Chicago, IL 60605

Opening Friday, November 2nd, from 5PM - 7PM

On view through Friday, February 15th

Come to the opening reception of Where the Future Came From directly after our jam packed symposium on November 1st!

Where the Future Came From focuses on the role of feminist artist-run activities in Chicago from the late 19th century to the present. This program will consist of a symposium, an exhibition that is an open participatory research lab, and a series of programs, all of which will be documented through a publication. Chicago has a deep history of artist-run activities. These projects are self-propelled programs that have been the lifeblood of Chicago’s contemporary art scene. In fact, many nationally and internationally recognized artists cut their teeth in such spaces. Where the Future Came From seeks to contextualize the role of feminism within that history and expand beyond work previously explored.

The history of artist-run projects in Chicago is one that often lives in the memories of the people who ran and experienced the projects that exist as footnotes on a cv, exhibition history, or small publication attached to any given artist’s career. This creates an anti-hierarchical platform to engage within the history of artist-run spaces, and the programs in Where the Future Came From will reflect that egalitarian process by employing artists, viewers, and art historians as experts based on their experience with any given project.

Where the Future Came From is organized and curated by Meg Duguid, Director of Exhibitions for Columbia College Chicago’s Department of Exhibitions, Performance, and Student Spaces (DEPS).

This exhibition is part of Art Design Chicago, an initiative of the Terra Foundation for American Art exploring Chicago’s art and design legacy, with presenting partner The Richard H. Driehaus Foundation. Where the Future Came From is funded by the Terra Foundation for American Art and The Richard H. Driehaus Foundation and partially funded by a grant from the Illinois Arts Council Agency.

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