Opening Thursday, October 5th, at 7:30PM
On view through Sunday, October 8th
$30 Full $24 MCA Members $12 $10 Students
Inspired by soccer and the artist’s first generation American experience, Marc Bamuthi Joseph’s
/peh-LO-tah/—a futbol framed freedom suite . . . actively intersects global economics, fandom culture across borders, and the politics of joy. The work was initially conceived during Joseph’s first trip to South Africa, when the nation was preparing for the 2010 World Cup.
Along with spoken word poetry by Joseph, /peh-LO-tah/ features interdisciplinary performances by Amara Tabor-Smith and native Chicagoan Traci Tolmaire as well as original music by Tommy Soulati Shepherd with selected vocal arrangements by Yaw Agyeman of the Black Monks of Mississippi. Filmed imagery from Joseph’s travels to South Africa and Brazil and video projection designed by visual artist and long-time collaborator David Szlasa accompany dancers who perform the movements of soccer players fused with hip-hop and modern dance as well as folkloric dances of South Africa and Brazil. The distinct physiologies and expressiveness of the dancers’ bodies offer a powerful meditation on egalitarianism “choreographed to the rhythm of the beautiful game.”
RUNNING TIME: 90 minutes
FRI, OCT 6
Stick around after Friday’s performance for a post-show discussion with the performers. The talk is led by Yolanda Cursach, MCA Curator of Performance.
About the Artist
Considered “one of the most influential people in dance today,” Marc Bamuthi Joseph is an Oakland-based arts educator-activist, writer, and performer. He started on Broadway as a young actor, and has written and performed a series of poetry-based works for the stage that have toured worldwide, including Word Becomes Flesh, the break/s: a mixtape for stage, and red, black & GREEN: a blues, all three of which were presented at MCA Stage.
Joseph’s commissions include Black Joy in the Hour of Chaos (2015), the libretto for Home in 7 for the Atlanta Ballet (2011), and theater work for South Coast Repertory Theater’s “Crossroads Commissioning Project.” His essays include “Total Chaos: Next Elements” (2007) and “Cultural Transformations: Youth and Pedagogies of Possibility” (2013). He has also lectured at more than 200 colleges. Joseph cofounded Life is Living, a national series of one-day festivals designed to activate under-resourced parks and affirm peaceful urban life. He was named one of America’s “Top Young Innovators” in the Arts and Sciences by Smithsonian Magazine (2007), received the first US Artists Rockefeller Fellowship (2007), and was one of the inaugural Doris Duke Artist Awards recipients (2012). Joseph currently serves as Director of Performing Arts at Yerba Buena Center for the Arts in San Francisco.