Apr 9th 2010

Luke Munn performs physical gestures and minimal instrumentation, emulating the phasing, looping, and soundscapes of contemporary electronic music with no electronics or post-processing. This is both an audio and visual performance utilising hand movements, breath, glass pieces, water and various surfaces.

Max Alexander cuts, pastes, mixes, remixes, bends, breaks, twists, turns and molds his existing compositions, drones, and soundscapes into a whirling dirvish of electroacoustic benevolence.

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